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Some call those “Seely eyes;” to others, they’re “Decker eyes.” Leola comes by them honestly, whichever label may prevail.

We’ll follow up that youthful likeness with a few adult portraits, in approximate order of chronology. we can’t actually put a date to any of these, though.

The lighting in these two head-shots betokens more of a professional studio than Duane ever had; the next three, taken in the San Bernardino living room, are clearly his work.
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